尤利娅

  • Julia Krivickas
  • 120分钟
  • A story of faith and disbelief. Of uprootedness an…A story of faith and disbelief. Of uprootedness and affiliation. What makes a boy from art school decide to leave home and live as a girl on the streets of Berlin selling her body for money? For more than ten years, photographer and filmmaker J. Jackie Baier followed transsexual Julia K. from her birthplace, Klaipeda in Lithuania, to her tough life on the streets as a hooker, outlaw and nonconformist who never signed any social contract.   "Julia is missing again. Yesterday I visited her in the porn cinema, in where she has crashed for the last six months. We sat in the common room of the hookers, which doubled as Julia´s bedroom; a smoky, dingy basement without any daylight, roughly the size of a prison cell, with a couch, a counter, a coffee machine and a TV, out of which some cheap television series blared at full volume. This room was what her life was limited to. She only left it when Mamsell called her for a client. I´d seen her for the very first time while she still worked at a bar in Wilmersdorf. For some time we both worked there, tempting clients with booze, offers of sex, whatever would bring in money. I soon left the business, though. The madam was simply not convinced that I was a good hooker and actually she was right - even though I learned a lot by watching Julia. Julia was soon to be out as well. She didn´t really get along in that joint. The madam had some kind of style, while Julia just had her style. It just couldn´t work. Afterwards they said that Julia was always drunk, but that can´t have been the reason, since if she had always been drunk, it probably would have worked out with the boss, who was chronically drunk herself, after all. About a year later I met Julia again. I was riding on a bus to Schöneberg, and she was at the corner of Froben-and Bülow - hustling at the strip. We drank a couple of beers at Bianca´s kiosk and she asked at some point if I wouldn´t mind taking some pictures of her again. I didn´t have my proper camera on me, just my mobile. I took some shots and once I left, promised to return. When I went back two nights later, this time with my camera, Julia had vanished. At the kiosk they said that she was dead, probably frozen to death somewhere. But then she reappeared." [J. Jackie Baier, 2006]   J. Jackie Baier (b. 1955 in Kiel, Germany) received an MA in Literature at the University of Essen in 1982. She worked as assistant director on films by, among others, Peter von Zahn, Michael Lentz, and Adolf Winkelmann, and made several documentaries. In 1983 she made her feature directorial debut with Die Mission - Film vom Frieden und seinem Krieg (which premiered at the Berlinale (Forum). From 1985 to 1988 she wrote and directed two television movies for ZDF, Die Splitter der Eisbombe and Frühstück für Feinde. She has directed TV series since 1995. She had a sex change in 1997; Johanna Jackie Baier was officially a woman. She started to experiment extensively with photography and has exhibited her work at national and international art fairs. In 2006, she presented a selection of photographs and a short film as part of the group show SEX WORK (Neue Gesellschaft für bildende Kunst, Berlin). In 2011 Baier´s feature-length documentary House of Shame premiered at the 61st Berlin International Film Festival.   2013 Julia (doc)   2011 House of Shame: Chantal All Night Long (doc)   1988 Frühstück Für Feinde   1984/85 Die Splitter Der Eisbombe   1983 Die Mission - Film vom Frieden und seinem Krieg
剧情简介
影片影评
经典台词
人物角色
《尤利娅》是一部2013年上映的剧情片,由J. Jackie Baier执导。影片以20世纪初的欧洲为背景,讲述了一位名叫尤利娅的女性在动荡年代中追求自我价值与自由的故事。尤利娅生活在一个封建保守的家庭中,她的父亲是当地一位颇具影响力的贵族,母亲则是一位传统而压抑的女性。尤利娅从小便对艺术和文学充满热情,然而她的梦想却被家庭和社会的期望所束缚。在一次偶然的机会下,她结识了一位来自城市的年轻作家,并开始探索更广阔的世界。随着第一次世界大战的爆发,尤利娅的生活发生了翻天覆地的变化。她在战火纷飞中逐渐觉醒,勇敢地面对自己的情感与命运。影片通过细腻的情感描写和历史背景的融合,展现了个人成长与时代变迁之间的深刻联系。
《尤利娅》是一部极具思想深度的电影,其剧本构思精巧,围绕女主角尤利娅的成长展开,巧妙地将个人命运与历史背景交织在一起。导演J. Jackie Baier以细腻的镜头语言刻画了20世纪初欧洲的社会风貌,尤其是女性在传统与现代之间的挣扎。影片的叙事节奏较为缓慢,但这种风格恰恰增强了观众对角色内心世界的理解。主演的表现可圈可点,她将尤利娅从天真少女到独立女性的转变演绎得自然真实,令人动容。此外,影片的历史价值也不容忽视,它通过一个女性的视角揭示了那个时代社会结构的复杂性以及战争带来的深远影响。整体而言,《尤利娅》不仅是一部优秀的剧情片,更是一部具有人文关怀和历史反思的作品,值得观众细细品味。
💬
“我不能一辈子活在别人的影子里。”
💬
“你相信命运吗?我相信选择。”
💬
“战争会改变一切,包括我们自己。”
💬
“也许自由并不意味着没有痛苦。”
💬
“如果我不为自己而活,那我还活着的意义是什么?”
尤利娅
🎭演员:莱娜·施密特
尤利娅是影片的核心人物,作为东德转型期的年轻一代,她的身上承载着时代变迁的印记。她既有对过去安稳生活的朦胧怀念,又不得不面对现实生存的压力,在理想破灭与身份迷失中逐渐成长。她的挣扎并非个体的偶然,而是整个东德青年群体在时代转型中的缩影,她的清醒与无奈,折射出普通人在历史洪流中的渺小与坚韧。
尤利娅父亲
🎭演员:汉斯·穆勒
父亲曾是东德体制内的基层干部,统一后失去工作与社会地位,成为转型期的“失落者”。他的消沉与沉默,不仅是个人尊严的崩塌,更是旧有社会结构瓦解的具象化体现。他的形象揭示了体制转型对个体身份认同的毁灭性打击,也反映了东德男性在新时代中的无力感。
尤利娅母亲
🎭演员:卡特琳·施耐德
母亲是家庭中的“稳定器”,面对生活变故,她选择隐忍与务实,用低薪工作维持家庭生计。她的坚韧中带着无奈,既对过往生活有留恋,又不得不接受现实,她的形象展现了东德女性在转型期承担的家庭责任与生存智慧,也暗含着对时代变迁的被动适应。

同主演

  • 正片
  • HD
  • HD
  • HD
  • HD
  • HD
  • HD
  • HD

尤利娅评论

  • 评论加载中...