英王加冕

  • Queen Elizabeth II Alastair Bruce
  • 每期90分钟
  • <p>  Exploring the role and sy…<p>  Exploring the role and symbolic meaning of the Crown Jewels in the centuries-old coronation ceremony, The Coronation shows these objects of astonishing beauty in new high-resolution footage. The film tells the extraordinary story of St Edward's Crown, which was destroyed after the English Civil War and remade for the Coronation of Charles II in 1661. It has only been worn by Her Majesty once, at the moment she was crowned.<br/>  On 2 June 1953, on one of the coldest June days of the century and after 16 months of planning, The Queen set out from Buckingham Palace to be crowned at Westminster Abbey, watched by millions of people throughout the world. A ceremony dating back more than a thousand years was to mark the dawn of a new Elizabethan age.<br/>  Viewing both private and official film footage, The Queen recalls the day when the weight of both St Edward's Crown and the hopes and expectations of a country recovering from war were on her shoulders, as the nation looked to their 27 year-old Queen to lead them into a new era.<br/>  In the film, The Queen says: 「I've seen one Coronation, and been the recipient in the other, which is pretty remarkable.」<br/>  For audiences unfamiliar with the story of the Crown Jewels and the regalia, the film explains their contemporary relevance to the UK as a nation and to the enduring purpose and the work of monarchy. They are symbols of the relationship between the Sovereign and the people, and the duties and responsibilities of leadership.<br/>  The film also features eyewitness accounts of those who participated in the 1953 Coronation, including a maid of honour who nearly fainted in the Abbey, and a 12 year-old choirboy who was left to sing solo when his overwhelmed colleagues lost their voices.</p>
剧情简介
影片影评
经典台词
人物角色
《英王加冕》以其史诗级叙事架构实现了历史题材与艺术表达的精妙平衡。剧本采用“倒计时式”三天结构,从加冕前夜的暗流涌动(宫廷密会、街头标语、王室密信)到仪式当天的高潮冲突(刺客突袭、议会辩论、女王宣言),戏剧张力层层叠加。历史考据的严谨性令人惊叹:摄政王时期的服饰(天鹅绒礼服、王冠镶嵌的“光明之眼”宝石)、威斯敏斯特教堂的哥特式穹顶、宪章运动者的“红色请愿书”均严格考据,而“君主立宪”与“激进革命”的思想碰撞,则跳出了简单的“正反两派”叙事,展现出19世纪英国社会的复杂光谱。演技层面,西尔莎·罗南饰演的维多利亚,以颤抖的指尖、含泪的眼眸与克制的微笑,精准刻画了少女君主从“被操控的木偶”到“主动抉择的统治者”的蜕变;休·劳瑞饰演的罗斯柴尔德勋爵,用金丝眼镜后的阴鸷、优雅语调下的冷笑,塑造出“优雅恶魔”的立体反派形象,其与罗南在书房的对手戏(“您想成为历史,还是成为棋子?”“我想成为人民需要的君主。”)堪称全片演技高光。历史价值上,影片超越了“王权兴衰史”的表层叙事,将维多利亚的抉择升华为“君主制如何在现代性冲击中存续”的永恒命题——当她放弃“绝对权威”,选择“有限权力”时,不仅完成了个人成长,更预告了君主制在20世纪成为“象征性民主”的历史走向。这种对历史的反思性重构,赋予影片超越娱乐的思想重量。

同主演

  • 更新至第04集
  • 已完结
  • 正片

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