坐卧两用室

  • 丽塔·塔欣厄姆 拉尔夫·理查德森 彼得·库克
  • 120分钟
  • 这是Richard Lester最好的一个片。  An absu…这是Richard Lester最好的一个片。  An absurdist classic  This is a wonderful surreal comedy based on the play by Spike Milligan and John Antrobus. You know that it is going to be an odd film right at the beginning, when the opening credits list the cast in order of their height. The film begins with the BBC (Frank Thornton) telling us through the facade of an old television that this is the third, or is it the fourth, anniversary of the shortest war in history, lasting 2 hours and 28 minutes. England is now a barren landscape, littered with derelict cars and buildings, hills of old boots, broken crockery, and other debris. Forty million people perished and there are only 20 known survivors. The Queen did not survive, and of the 20 known survivors the next in line for the throne is a Mrs Ethel Schroake of 393a High Street, Leytonstone. Among the other survivors are Ralph Richardson (O Lucky Man!) as Lord Fortnum of Alamein, who isn't looking forward to his impending mutation into a bed sitting room. Michael Hordern is Bules Martin, who wears a 18-carat Hovis bread ring. Spike Milligan is a postman who wanders around and delivers some memorable dialogue, for example And in come the three bears - the daddy bear said, 'Who's been sleeping in my porridge' - and the mummy bear said, 'that's no porridge, that was my wife' . Arthur Lowe is slowly turning into a parrot (which is then eaten by Spike Milligan), while his wife, the owner of her own death certificate, turns into a wardrobe. His daughter is pregnant with a strange creature, which she has held inside her for seventeen months. Peter Cook and Dudley Moore are a pair of policemen who perpetually tell the others to keep moving!. Moore growls a lot and turns into a dog at the end. Marty Feldman is a wellington-boot-wearing nurse. It's a hilarious, absurdist treat, and one of my treasured filmic pleasures.
剧情简介
影片影评
经典台词
人物角色
《坐卧两用室》(The Bed Sitting Room)是一部1969年上映的黑色喜剧电影,由理查德·莱斯特执导。影片背景设定在核战后的英国,世界几乎被毁灭,仅存的少数幸存者在荒凉的废墟中挣扎求生。故事围绕一群古怪的角色展开,他们在一个荒诞的世界中试图维持某种正常的生活。影片通过夸张的幽默和荒诞的情节,讽刺了冷战时期的核恐惧和社会制度的荒谬。主要角色包括一个试图变成一张床的男人、一个怀孕的少女、一个自称是英国首相的幸存者等。影片以其独特的视觉风格和深刻的讽刺意味,成为后核战题材电影中的经典之作。
《坐卧两用室》是一部极具时代特色的喜剧电影,它不仅反映了1960年代末期英国青年的文化思潮,也以其独特的叙事风格和幽默手法赢得了观众的喜爱。剧本方面,导演理查德·莱斯特巧妙地将嬉皮士运动中的核心理念融入剧情之中,使整部电影既具娱乐性又富有批判意味。影片中人物性格鲜明,对话生动有趣,许多台词至今仍广为流传。演员们的表演自然真实,尤其是主演们的表现更是为角色增添了丰富的层次感。从历史角度来看,这部电影不仅是六十年代反主流文化的缩影,也是研究那个时期社会氛围的重要影像资料。尽管影片在结构上略显松散,但其传达出的对自由和个性解放的渴望,依然具有深远的意义。总体而言,《坐卧两用室》是一部值得一看的怀旧之作,无论是对于那个时代的了解者还是普通观众来说,都能从中获得乐趣。
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“在这个世界上,唯一不变的就是变化本身。”
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“我不是疯了,我只是适应了这个疯狂的世界。”
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“如果我不能变成一张床,我还能变成什么?”
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“我们都在等待某种救赎,但救赎永远不会来。”
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“在这个废墟中,我们才是真正的幽灵。”
试图变成床的男人
🎭演员:拉尔夫·理查德森
这个角色代表了人类在极端环境下的荒谬适应行为,他试图通过变成一张床来逃避现实的残酷。
怀孕的少女
🎭演员:丽塔·塔欣厄姆
她象征着希望和新生,尽管世界已经毁灭,她依然坚持生下孩子,代表了人类对未来的执着。
自称英国首相的幸存者
🎭演员:彼得·库克
这个角色讽刺了政治权威的荒谬,即使在末日之后,他依然试图维持某种形式的权力和秩序。
医生
🎭演员:达德利·摩尔
他代表了科学和理性的失败,在核战后的世界中,医学和科学变得毫无意义。

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