米兰九口径

  • 加斯通·莫辛 芭芭拉·布薛特 马里奥·阿多夫
  • 120分钟
  • Fernando Di Leo's Milano Calibro 9 is an out-and-o…Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.  Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...  Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.  The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.
剧情简介
影片影评
经典台词
人物角色
《米兰九口径》是意大利上世纪70年代铅色年代(Anni di piombo)警匪电影的代表作之一,由费尔南多·迪·莱沃执导,1972年上映。故事背景设定在当时的米兰,彼时意大利深陷经济停滞、社会动荡与政治暴力的漩涡,极左组织频繁制造爆炸与绑架案,警方高压执法与黑帮势力盘根错节,城市街头弥漫着暴力与不安。影片主人公是警探尼科·德·吉罗拉莫,他性格刚硬、信奉以暴制暴,在调查一系列黑帮与极左组织勾结的谋杀案时,逐渐发现案件背后牵扯到警局内部的腐败网络与政客的利益交换。尼科在追查过程中,亲眼目睹线人被灭口、同事被收买,自己的行动也屡遭掣肘,甚至被诬陷为杀人凶手。为了洗清嫌疑,他不惜突破法律边界,用手中的九口径手枪实施私刑复仇,在米兰的雨夜街头与黑帮展开激烈枪战。影片不仅呈现了警匪之间的生死博弈,更刻画了尼科内心的挣扎:他既是秩序的维护者,又沦为暴力的执行者,最终在正义与复仇的模糊边界中走向毁灭。剧情紧凑,充满意大利城市街头的粗粝质感,将个人命运与时代悲剧紧密交织。
《米兰九口径》在剧本创作上极具张力,费尔南多·迪·莱沃摒弃了传统警匪片非黑即白的叙事逻辑,将故事嵌入意大利真实的社会危机中,让案件调查成为透视时代病灶的窗口。剧本没有刻意制造英雄,而是让主角在腐败与暴力的包围中逐渐异化,情节推进紧凑且充满现实痛感,对警局内部生态与黑帮-政治勾结的刻画大胆而尖锐,即便放在今天仍具冲击力。演技方面,主演以极具爆发力的表演塑造了尼科这一复杂形象,他眼神中的疲惫、愤怒与决绝层层递进,完美诠释了一个被体制抛弃的理想主义者如何滑向暴力深渊,配角群像也极具生活质感,黑帮分子的阴狠、腐败官员的伪善、线人的怯懦都刻画得入木三分。从历史价值看,影片是铅色年代意大利社会的影像档案,真实记录了当时民众对体制的信任崩塌、街头暴力的常态化以及普通人在动荡中的无力感,为后世研究意大利70年代政治与社会史提供了鲜活的视觉文本。它不仅是类型片佳作,更是时代情绪的精准投射,其批判精神与人文关怀让影片超越了娱乐属性,成为意大利政治电影史上不可忽视的一笔。
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在这个城市里,没有人是清白的。
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你以为你在追捕罪犯,其实你只是他们的一颗棋子。
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真相就像米兰的雾,你永远看不清它的全貌。
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在这个世界上,唯一不变的就是背叛。
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警察和罪犯,有时候只是一线之隔。
警察
🎭演员:未提供
主人公是一名正直的警察,但在调查过程中逐渐发现警局内部的腐败,他的信念受到了严峻的考验。
黑帮头目
🎭演员:未提供
黑帮头目是影片中的主要反派,他狡猾且残忍,通过一系列犯罪活动控制着米兰的地下世界。
警局上司
🎭演员:未提供
警局上司表面上是正义的代表,但实际上与黑帮有勾结,是腐败的象征。
普通市民
🎭演员:未提供
普通市民在影片中是黑帮和警察斗争的牺牲品,他们的生活被犯罪和暴力所摧毁。

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