胆包天

  • 托马斯·米连 约瑟夫·科顿 Maria Fiore Mario Piave 卢西亚诺·卡蒂纳齐 圭多·阿尔贝蒂
  • 120分钟
  • Umberto Lenzi is undoubtedly the king of Italian c…Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.  The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
剧情简介
影片影评
经典台词
人物角色
《胆包天》(意大利原名《Cipolla Colt》)是1975年由意大利著名B级片导演翁贝托·伦齐执导的一部经典意大利式西部片(Spaghetti Western)。影片故事背景设定在19世纪末美国西部开发的热潮时期,那是一个法律边缘模糊、暴力横行且充满机遇与贪婪的时代。剧情围绕一位名叫“洋葱”的神秘枪手展开,他并非传统意义上的英雄,而是一个为了生存不择手段的亡命之徒。故事始于一场残酷的复仇:洋葱的兄弟被当地恶名昭彰的犯罪头目残忍杀害,为了替兄报仇,他孤身一人闯入了一个被腐败警长和黑帮势力控制的边境小镇。在这个充满尘土与硝烟的小镇上,他不仅要面对强大的敌人,还要卷入一场关于金矿宝藏的争夺战。影片通过洋葱的视角,展现了西部拓荒时期人性的贪婪与挣扎,他在复仇的过程中逐渐发现,在这个弱肉强食的世界里,所谓的“正义”往往只是强者的借口。翁贝托·伦齐以其标志性的快节奏叙事,将动作场面与黑色幽默巧妙融合,描绘了一个既荒凉又充满生命力的西部世界,洋葱这一角色在冷酷的外表下隐藏着对自由的渴望,使得整部影片在枪林弹雨中透出一丝悲凉的人文色彩。
《胆包天》是一部具有深刻社会意义的犯罪惊悚片。剧本方面,影片通过紧凑的剧情和复杂的人物关系,成功营造了一种紧张和不安的氛围。导演翁贝托·伦齐巧妙地利用了意大利社会的现实背景,使得影片不仅仅是一部娱乐作品,更是一部对社会现实的深刻反思。演技方面,主演们的表现非常出色,尤其是主角的扮演者,将角色的内心挣扎和勇敢表现得淋漓尽致。配角们的表演也为影片增色不少,使得整个故事更加真实和引人入胜。历史价值方面,影片反映了20世纪70年代意大利社会的动荡和腐败,具有重要的历史参考价值。总的来说,《胆包天》是一部兼具娱乐性和思想性的优秀影片,值得观众细细品味。
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我吃洋葱长大的,所以他们都叫我洋葱。
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在这个镇上,只有死人才能保持沉默。
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金子会发光,但沾了血就不亮了。
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法律?法律就是那把指着你的枪。
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我不是来谈判的,我是来收债的。
记者
🎭演员:弗朗哥·尼罗
主角是一名年轻而充满正义感的记者,他不畏强权,坚持追查真相。尽管面临巨大的危险,他依然坚持自己的信念,最终揭露了阴谋。
黑手党头目
🎭演员:亨利·席尔瓦
反派角色,冷酷无情,为了权力和金钱不择手段。他是整个阴谋的幕后黑手,最终被主角揭露。
政客
🎭演员:费尔南多·雷
表面上是一位正直的政客,实际上与黑手党勾结,参与了许多非法活动。他的虚伪和背叛是影片的重要转折点。
记者女友
🎭演员:西尔维娅·蒙蒂
她是记者的女友,性格温柔但坚强。在记者陷入危险时,她给予了极大的支持和帮助,是主角的重要精神支柱。

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