罗贝尔塔

  • 艾琳·邓恩 弗雷德·阿斯泰尔 金杰·罗杰斯 兰道夫·斯科特
  • 120分钟
  • John Kent (Randolph Scott), a former star football…John Kent (Randolph Scott), a former star football player at Harvard, goes to Paris with his friend Huck Haines (Fred Astaire) and the latter's dance band, the Wabash Indianians. Alexander Voyda (Luis Alberni) has booked the band, but refuses to let them play when he finds the musicians are not the Indians he expected, but merely from Indiana (Huck Haines and his Indianians Band).  John turns to the only person he knows in Paris for help, his Aunt Minnie (Helen Westley), who owns the fashionable Roberta gown shop. While there, he meets her chief assistant (and secretly the head designer), Stephanie (Irene Dunne). John is quickly smitten with her.  Meanwhile, Huck unexpectedly stumbles upon someone he knows very well. Countess Scharwenka, a temperamental customer at Roberta's, turns out to be his hometown sweetheart Lizzie Gatz (Ginger Rogers). She gets Huck's band an engagement at the nightclub where she is a featured entertainer.  Two things trouble John. One is Ladislaw (Victor Varconi), the handsome Russian deposed prince and doorman who seems too interested in Stephanie. The other is the memory of Sophie (Claire Dodd), the snobbish, conceited girlfriend he left behind after a quarrel over his lack of sophistication and polish.  When Aunt Minnie dies unexpectedly without leaving a will, John inherits the shop. Knowing nothing about women's fashion and that his aunt intended for Stephanie to inherit the business, he persuades Stephanie to remain as his partner. Correspondents flock to hear what a football player has to say about feminine fashions. Huck gives the answers, making a lot of weird statements about the innovations John is planning to introduce.  Sophie arrives in Paris, attracted by John's good fortune. She enters the shop, looking for a dress, but is dissatisfied with everything Stephanie shows her. Huck persuades her to choose a gown that John had ordered discarded as too vulgar. When John sees her in it, they quarrel for the final time.  John reproaches Stephanie for selling Sophie the gown. Terribly hurt, Stephanie quits the shop. With Roberta's putting on a fashion show in a week, Huck takes over the design work, with predictably bad results. When Stephanie sees his awful creations, she is persuaded to return to save Roberta's reputation.  The show is a triumph, helped by the entertaining of Huck, Countess Scharwenka, and the band. (A pre-stardom Lucille Ball, with platinum blond hair, appears uncredited in her first RKO film[4] as a model wearing an elaborate feather cape, after the vocal by Dunne, in the fashion show.[5]) The closing sensation is a gown modeled by Stephanie herself. At the show, John overhears that she and Ladislaw are leaving Paris and mistakenly assumes that they have married. Later, he congratulates her for becoming a princess. When she informs him that Ladislaw is merely her cousin and that the title has been hers since birth, the lovers are reunited. Huck and Lizzie, who decide to get married, do a final tap dance sequel.
剧情简介
影片影评
经典台词
人物角色
《罗贝尔塔》的剧本结构在1935年好莱坞语境下堪称典范:以“家族产业危机—爱情纠葛—艺术救赎”为核心主线,将歌舞表演自然嵌入情节推进。剧本巧妙平衡了喜剧冲突(如伊迪与罗贝尔塔的“情敌”互动)与情感深度(罗贝尔塔对责任与爱情的挣扎),虽偶有情节简化(如公司危机的解决略显仓促),但整体节奏明快,歌舞段落与剧情的衔接流畅无割裂感,尤其“屋顶歌舞”场景通过音乐与舞蹈动作的配合,成功化解了罗贝尔塔与尼克的情感僵局,展现出剧本对歌舞元素的创造性运用。演技层面,三位主演的表演堪称黄金搭档:艾琳·邓恩以温柔却坚定的气质塑造了罗贝尔塔的成长弧光,从最初的手足无措到后期独立决策,眼神与肢体语言精准传递出角色内心的蜕变;弗雷德·阿斯泰尔的表演兼具优雅与率真,其标志性的“脚尖旋转”与“即兴舞步”不仅展现舞蹈天赋,更以幽默台词(如“我跳舞时从不看观众,只看我爱的人”)赋予角色浪漫灵魂;金格尔·罗杰斯则以灵动的肢体控制与俏皮的表情,将伊迪的热情与脆弱演绎得立体鲜活,三人在“让我们跳舞”等合唱场景中的默契配合,成为影史歌舞片表演的教科书级范本。历史价值上,影片是研究1930年代好莱坞娱乐工业的活化石:它完整记录了当时的音乐风格(如Irving Berlin创作的《The Roberta Song》《Yesterdays》等经典曲目)、舞蹈美学(阿斯泰尔与罗杰斯开创的“对话式舞蹈”),以及上流社会与艺术圈的交叉生活图景;作为弗雷德·阿斯泰尔与金格尔·罗杰斯合作的早期代表作,其双人舞编排为后续歌舞片奠定了“舞蹈即情感语言”的叙事范式,而艾琳·邓恩的表演则为女性角色塑造提供了“独立而非强势”的范本,在好莱坞性别平等进程中留下独特注脚。

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