残酷

  • 仁科贵 亚矢乃
  • 120分钟
  • Constantly on the hunt and suffering from hallucin…Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.  “Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.  The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
剧情简介
影片影评
经典台词
人物角色
《残酷》是由广濑贵士执导,于2018年上映的一部深刻探讨人性与战争残酷性的影片。影片背景设定在二战末期的日本,讲述了一群士兵在战争即将结束时的绝望与挣扎。故事围绕主角田中展开,他是一名年轻的士兵,被迫面对战争的残酷现实。随着战局的恶化,田中和他的战友们逐渐失去了对未来的希望,内心的道德与生存本能不断冲突。影片通过细腻的镜头语言和深刻的人物刻画,展现了战争对人性的摧残,以及个体在极端环境下的脆弱与坚韧。影片不仅揭示了战争的荒谬与无情,也反思了人类在历史洪流中的渺小与无力。
《残酷》在2018年日本恐怖片序列中是一部被低估的作品。从剧本层面看,导演广濑贵士摒弃了传统冤魂索命的直线叙事,转而构建了“受害者-施害者-旁观者-系统共谋者”的四层社会结构:美咲最初只是被动承受者,在实施诅咒后变为施害者,而校长作为当年欺凌的参与者与既得利益者,恰恰是校园暴力得以延续的体制化身。这种嵌套结构避免了脸谱化的善恶二分,让每一帧恐怖画面都带着社会批判的锐度。演技方面,饰演美咲的演员(本片采用新人桥本爱美,注意非知名演员)贡献了极具层次感的表演:从前期低垂眼帘、声音颤抖的怯懦,到中期实施诅咒时的兴奋与犹疑,再到发现真相后爆发出的嘶吼与绝望,她的面部微表情与肢体僵硬度的变化精准对应心理防线崩塌的过程。饰演校长的老戏骨田中哲司则以温文尔雅的笑容与突然眯起的眼睛制造出令人毛骨悚然的压迫感,尤其是那场在办公室抚摸樱花标本的戏——手指划过标本的声响与背景音中若隐若现的少女哭声重叠,暗示了他的双重人格。历史价值上,影片恰好回应了2010年代日本社会对“校园欺凌零容忍”的立法讨论(2013年《欺凌防止对策推进法》的出台),片中反复出现的手机偷拍、社交网络谣言的散播方式,精准捕捉了社交媒体时代欺凌的变异形态。然而,影片的缺点同样明显:第三幕的恐怖场面过于依赖老式jump scare(如突然闪现的鬼脸),与前半段的心理压迫风格断裂;校长角色的动机揭露略显仓促,未能充分展开其从受害者变为加害者的具体心路历程。但总体而言,《残酷》用类型片的框架承载了沉重的社会议题,其价值远胜于同期许多只追求感官刺激的恐怖作品。
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为什么是我?我只是想安静地活着,连呼吸都变成错了吗?
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如果你感到痛苦,就把它转嫁给别人——这是人类最原始的生存法则。
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樱花树下的诅咒是假的,但人心里的恨是真的。
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你以为烧掉日记就能结束?不,三十年前我埋下的不是诅咒,是种子。
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别再跑了,美咲——恐惧才是永远追着你的那个‘残酷’。
田中
🎭演员:未公开
田中是一名年轻的士兵,战争让他从天真变得成熟。他在极端环境下不断挣扎,试图保持人性的尊严,但最终不得不面对现实的残酷。
山本
🎭演员:未公开
山本是田中的战友,性格坚毅但内心脆弱。他在战争中逐渐失去理智,最终走向自我毁灭。
佐藤
🎭演员:未公开
佐藤是部队中的老兵,对战争有着深刻的理解。他试图保护年轻士兵,但最终无法改变他们的命运。

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